After the first French colonizing force arrived in Vietnam in the mid - 19thcentury, it took only 21 years before the country had a cathedral to match the hulking Gothic edifices of France itself. The cathedral is supposed to represent the glory of the French Empire. Yet, as is always the case with colonization, this attempt to import French traditions into Vietnam transformed the colonizers' culture in the process. Even though the cathedral is built in a Western architectural style, it has a uniquely Eastern aspect.

The whole building is well-ventilated thanks to a system of air-holes placed above and under the windows. The belfry is 57m high. For a long time it was the highest structure in the city centre, and was the first thing an arriving traveller would see when approaching the city by boat. Six bells weigh a combined 25,850kg. In 1885, the floor was taken apart and new pillars were added, because the original foundation could not bear the cathedral's weight. Stepping inside the cathedral, tourists see a line of Chinese characters eulogizing the Jesus' mother, "the innocent and unblemished Virgin Mother", and stained-glass portraits of Vietnamese believers amid Asiatic plants. On the square in front of the cathedral, there is a statue of the Virgin Mother made of white marble, symbolizing peace. All told, it's an unusual building: a Western architectural and religious style that has been transplanted into, and adapted to, the East. The colonizers were trying to impose French beliefs and customs onto Vietnam but once that culture arrived on Asia's shores, it took on a life of its own. The cathedral is seen as a unique synthesis, adding an unmistakable Oriental flavour to an ancient Occidental recipe.